WORKSHOP: What Data Can't Hear (Mon 2 Dec, 9am-4pm)

What data can't hear: A one day blue sky workshop
Convenors: Tanja Dreher, Danielle Hynes, Poppy de Souza

Monday 2 December 2024,
9:00am-4:00pm (AEST)
ADA Innovation Hub, Goodsell Building Room 102/103
University of New South Wales, Kensington Campus, Sydney, Australia 
Hosted by UNSW Data Justice Research Network and UNSW Media Futures Hub

View the program here

Data-driven systems, platforms and algorithms are increasingly embedded in all aspects of social life and daily communication. This ‘ubiquitous datafication’ is evident across domains including social housing and the NDIS, ‘care’ institutions, and health, education and politics. In this workshop we explore the implications of the datafication of the social world for processes and practices of political voice and listening.

Datafied systems are claimed to offer increased opportunities to have a say, to be heard in decision making and service provision, and to be part of governance structures. In the context of neoliberalism, these platformed opportunities and incitements to speak proliferate, however this is a version of voice that matters less and less. By centring political voice, we draw attention to voice as agency, participation and influence – or voice that matters. The listening lens turns attention to processes and practices of receptivity, recognition and response to political voice, participation and agency.

In this workshop, we consider questions around the increasing ubiquity of datafied voice and listening, including but not limited to the following: 

• How does datafication enable or constrain voice as agency or self-determination?

• IIn addition to questions of who can speak, participate or have a say - who or what is heard in data-driven systems?

• Can data hear structural or systemic violence, injustice or critique?

• How are data driven systems able to hear - or not hear - political voice?

For example, what might be the benefits and harms of automated decision-making in disability services for the ‘voice’ and agency of people with disability? How do apps and platforms shape opportunities for resident voice in social housing and renting? How do the extractive logics of contemporary algorithms impact self-determination and sovereignty?

WORKSHOP: From PhD to PostDoc (Tues 15 Oct, 4pm-5pm)

Tuesday 15 October 2024
4:00-5:00pm (AEST)
In person at the ADA Innovation Hub, Goodsell Building Room 102/103 and online via Zoom.
For those joining in person, the workshop will be followed by informal drinks.

Recent years have seen a move from approaching the PhD experience as aimed primarily at the production of a thesis, to the more expansive aim of cultivating a researcher (Lee and Boud 2009). In this workshop you will hear from two postdoctoral researchers who have recently completed their PhDs at UNSW. Speakers will share their experiences of moving from PhD to Postdoc, sharing tips and strategies learned along the way. The discussion will draw out the activities, roles and work beyond the production of the thesis that can be valuable or even necessary for HDRs who are aiming for pathways in academia. How can HDRs best position themselves for postdoctoral opportunities beyond the thesis? What is the contribution and value of research networks in the development of researchers? What are the opportunities and challenges of the increasing emphasis on impact and engagement and the growing expectations that HDRs develop entrepreneurial capacities? How can HDRs find Postdoc opportunities and then position themselves as the best candidate? The workshop will begin with short informal presentations and include ample time for questions and discussion.  

Featured speakers: Dr Danielle Hynes (Maynooth) and Dr Kevin Witzenberger (QUT) 
Chair: Professor Lyria Bennett-Moses (UNSW) 
Further comments: Scientia A/Prof Sukhmani Khorana (UNSW) and A/Prof Tanja Dreher (UNSW) 

SPEAKER BIOS 

Dr Danielle Hynes is an engaged social researcher with a background in both media and cultural studies, and urban studies. As a post-doctoral researcher on the Data Stories project at Maynooth University, Danielle is working alongside the team to examine how data is mobilised and used by various actors, focusing critical attention on Irish planning, property and planning housing data. Her doctoral research explored social justice in cities, and how imaginaries of the city are shaping the present and future of non-market housing, analysing the widespread influence of neoliberalism on the Australian social housing (for both residents and the structure of social housing) and identifying more just possibilities. 

Dr Kevin Witzenberger is a research fellow at QUT’s GenAI Lab. Grounded in media theory and science and technology studies (STS), his research focuses on the risks and opportunities of generative AI in society and making technical democracy a defining feature in governing the future of generative AI. In his role at the GenAI Lab, Kevin is also affiliated with the ADM+S where he contributes to the exploration of exploring authenticity as both a socio-technical challenge and as a contested cultural idea in the context of generative AI. Kevin received his PhD from the University of New South Wales in 2023 where he investigated the impact of automation and AI on education governance as a member of the Media Futures Hub and is co-founder of the Education Futures Studio at the University of Sydney. 

Hosted by the UNSW Data Justice Reserach Network and the UNSW Media Futures Hub.

The Crisis of Diversity: Professor Anamik Saha, University of Leeds (Tues 8 Oct, 2pm-3:00pm)

Tuesday 8 October 2024
2:00-3:00pm (AEST)
Morvern Brown 310

The seminar by Anamik Saha will be followed by an informal workshop at 3:30-5pm. For further details please email: t.dreher@unsw.edu.au.

Despite the superdiversity we now encounter on our screens, issues of diversity in media industries and society at large, remain vexed. While previously a soft, somewhat inoffensive term, ‘diversity’ has hardened into something politically controversial - along with its siblings, ‘equality’ and ‘inclusion’. Diversity is attacked by the Left for its ineffectiveness in dealing with racial inequalities, burying the more assertive language of racism and discrimination demanded by anti-racist activists. It is also attacked by the Right for, at ‘best’, its threat to meritocracy, and at worst, its purported demonisation of White people.  

Once at the bedrock of creative industries policy, diversity was seen as the source of originality and innovation and economic growth. Undeniably this has had a profound impact on the media we consume. Yet this has not been mirrored in the creative workforce, where diversity policies have failed to increase the number of people from marginalised backgrounds within its ranks. Compounded by economic and political pressures, these failing initiatives have fallen by the wayside, as big brands bin diversity targets due to political pressure, or quietly drop EDI efforts as they contend with ‘bigger’ financial issues. Worst of all, the crisis of diversity just so happens to be unfolding alongside the violent ascendency of the far-right in liberal democracies. 

But while this suggests that diversity is done, in this paper I take a wider view and examine the crisis in diversity in media in conjunctural terms. I consider how cultural and creative industries are (or, are not) contending with the biggest crisis right now: the rise of the far-right. Rather than ineffectual against the far-right, could it be the case that diversity has put the brakes somewhat on its advance? The paper imagines how media can proactively challenge racism in society, and how a radical reimagining of diversity can contribute to this urgent task. 

Anamik Saha is a Professor in Race and Media in the School of Media and Communication at the University of Leeds. His research is on issues of race, culture and media, with a particular focus on creative and cultural industries and issues of ‘diversity’. He is the author of Race and the Cultural Industries (Polity, 2018), Race, Culture and Media (Sage, 2021) and the co-author of the AHRC-funded industry report Rethinking ‘Diversity’ in Publishing (with Dr Sandra van Lente, Goldsmiths Press, 2020). His research has featured across a range of media, including BBC Radio, The Guardian, TES and The New Statesman.  He was included in the TheBookseller’s 2020 list of most influential people in the book trade. He is an editor of European Journal of Cultural Studies. His new book The Anti-Racist Media Manifesto- written with Francesca Sobande and Gavan Titley - is out in Autumn 2024. 

This talk is hosted by the UNSW Media Futures Hub.

Register here.

BOOK LAUNCH: Nonhuman Witnessing: War, Data, and Ecology after the End of the World by Michael Richardson (Tues 10 Sep, 5pm)

Tuesday 10 September 2024

5pm – 7pm, with words at 6pm

Io Myers Theatre Esme Timbery Creative Practice Lab
UNSW School of the Arts & Media
Gate 2, High St, Kensington Campus

Please join us to celebrate the launch of Associate Professor Michael Richardson’s new book Nonhuman Witnessing: War, Data, and Ecology after the End of the World with drinks, snacks, and words from Andrew Brooks and Astrid, aka Snack Syndicate. Out now with Duke University Press, the book calls for the radical transformation of how we understand witnessing in an age of crises.

Copies will be available for purchase at a discounted rate of $30. While not essential, registering helps us plan catering, seating, and other aspects of the event.

About the book:

In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help us better understand contemporary crises. He examines the media-specificity of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land and autonomous drone warfare to deepfakes, artificial intelligence, and algorithmic investigative tools. Throughout, he illuminates the ethical and political implications of witnessing in an age of profound instability. By challenging readers to rethink their understanding of witnessing, testimony, and trauma in the context of interconnected crises, Richardson reveals the complex entanglements between witnessing and violence and the human and the nonhuman.

About the author:

Michael Richardson is a writer, researcher, and teacher living and working on Gadigal and Bidjigal country. An Associate Professor in the School of the Arts & Media at UNSW Sydney and an Associate Investigator with ADM+S, his research examines how technology, power, and culture shape knowledge in war, security, and surveillance. His latest book is Nonhuman Witnessing: War, Data, and Ecology after the End of the World (Duke University Press, 2024).

About Snack Syndicate:

Andrew Brooks is a lecturer in Media and Culture in the School of the Arts and Media, UNSW. Astrid Lorange is a senior lecturer in Art, Writing, and Cultural Theory in the School of Art & Design, UNSW. Together, they make texts, installations, public programs, and study spaces as the critical art collective Snack Syndicate. Their collection of essays, Homework, was published in 2021 by Discipline. They are currently completing a book titled The Art of Unmaking: The Aesthetics of Abolition in Australia.

This talk is hosted by the UNSW Media Futures Hub

Justice by Video: Assistant Professor Sandra Ristovska, University of Colorado Boulder (Fri 14 Jun, 12pm-1:30pm)

Friday 14 June 2024
12:00-1:30pm (AEST)
Robert Webster 334 (in person only)

From cell phones to police body cameras, today’s courts increasingly use video as evidence. A common assumption is that video can help people bear witness to an event as if they themselves were transported to the complicated scene of its unfolding. Rather than the second-hand testimony provided by eyewitnesses, video is assumed to offer an unmediated and firsthand account directly to the decision maker. As a result, U.S. courts, at all levels, lack safeguards to ensure rigorous visual analysis, an issue that is further amplified with the rise of generative AI and deepfakes. Drawing on research conducted during residency with the American Bar Association’s Science and Technology Law Section, this lecture considers the intricacies of using video to bear witness in court. It argues that without consistent guidance and applications for treating video as evidence, human rights and civil rights may be disparately recognized and upheld. 

Sandra Ristovska is Assistant Professor of Media Studies and Law at University of Colorado Boulder. Her research examines how, under what circumstances, and to what ends images shape the pursuit of justice and human rights in institutional and legal contexts nationally and internationally. Her publications include the award-winning monograph, Seeing Human Rights: Video Activism as a Proxy Profession (The MIT Press, 2021), an edited book, Visual Imagery and Human Rights Practice (Palgrave, 2018), and over two dozen journal articles and book chapters. Her work has received multiple awards from the International Communication Association (ICA), the International Association for Media and Communication Research (IAMCR), and the National Communication Association (NCA). 

This talk is hosted by the UNSW Media Futures Hub.

Registration is not required but does help us in event planning. See link below:

Register Here 

SYMPOSIUM: Beyond Media Diversity: Media Practice and Media Studies in the Age of #BlackLivesMatter (Thu 27 Jun, 9am-6pm)

Date and time - 27 June 2024 | 09h00 - 17h00  
Location - University of New South Wales, Kensington Campus, Sydney, Australia  
An IAMCR pre-conference and ‘bridge’ event between ICA 2024 and IAMCR 2024 
https://iamcr.org/christchurch2024/beyond-media-diversity-conf  
Organisers - A/Prof Tanja Dreher, University of New South Wales and A/Prof Sukhmani Khorana,
University of New South Wales   

View the program here

SPEAKERS: This full day symposium will feature presentations and provocations by invited speakers, including: Tito Ambyo (RMIT), A/Prof Debbie Bargallie (Griffith), Prof Mohan Dutta (Massey, online), Prof Gerard Goggin (WSU), Dr Ashleigh Haw (RMIT), A/Prof Eve Ng (Ohio, online), Prof Sandy O’Sullivan (Macquarie), Prof Anamik Saha (Leeds, online), Dr Victor Zhuang (Nanyang).   

Recent years have seen various and continuing ‘media reckonings’ on racism and diversity. The resurgence of #BlackLivesMatter protests across the globe in 2020 brought renewed attention to media racism in Australia and across the Global North. In the midst of the unprecedented violence in Gaza in 2024, concerns around mainstream media racism and cultural safety for those reporting, advocating or speaking out have only amplified manifold. Given the current conjuncture, this symposium aims to move beyond timid framings of diversity that have not worked for media practitioners or scholars, and therefore calls for ‘divesting from diversity’.

Prior to this, resurgent Sinophobia and anti-Asian racism in the context of the global COVID-19 pandemic and entrenched and violent Islamophobia highlighted by the 2019 massacre in Christchurch, Aotearoa/New Zealand, also heightened ‘media diversity debates’ and calls to decolonise media and/or support media anti-racism (Saha, 2020; Titley, 2019). Meanwhile ongoing international interventions in media scholarship such as #communicationsowhite have demonstrated that concerns around media, racism and diversity are highly relevant within media and communication studies as well as in media institutions (Chakravarty et al 2018, Ng et al 2020).

Despite the upsurge in media diversity debates and initiatives in response to these cultural reckonings, the aim of greater diversity has been premised on limiting assumptions. One of the most oft-used ones is that media and those who work in it must ‘reflect’ the demographics of the changing nation state. The media reckoning prompted by Indigenous media presenter Stan Grant’s resignation from the Australian Broadcasting Corporation in 2023 followed decades of diversity initiatives at the public broadcasters. As Christine Dunbar-Hester argues, ‘“diversity” is a timid framing. What would change if the conversation was directed towards justice instead? Much is at stake here and “diversity” offers too little’ (2021).

This pre-conference event takes a transnational approach to framing diversity debates in the media, how these are limiting (and limited), and what decolonial and anti-colonial alternatives could look like. How might we divest from the diversity paradigm, and what might take its place? Where are alternatives to be found, and/or how might they be built? Who is doing the work and what solidarities might be needed? The event thus speaks directly to the IAMCR2024 General theme: ‘Whiria te tāngata / Weaving people together: Communicative projects of decolonising, engaging, and listening’.

Location: The preconference will be held at the Kensington campus of the University of New South Wales (UNSW) in Sydney, Australia. The Kensington campus is well connected to Sydney Central station (15 mins by Light Rail) and to Sydney airport (a gateway airport for IAMCR 2024 and ICA 2024). There are many affordable accommodation options nearby.   

Media Futures Hub (https://mediafutureshub.org/) is a collection of scholars at UNSW researching justice, media and emerging technologies. We explore topics such as community and First Nations media, drones and autonomous systems, data justice, listening across difference, everyday uses of media technology, and new research methods. Our research is interventionist, innovative and fearless. Our aim is not only to analyse the world around us, but to help build more just futures.  

Tanja Dreher is Associate Professor in Media and a Co-Director of the Media Futures Hub at the University of New South Wales, Sydney, Australia.  Sukhmani Khorana is a Scientia Associate Professor in the Faculty of Arts, Design and Architecture, School of the Arts and Media.  

Screening Resistance: A two-part film series

Screening Resistance is a two-part series of screening presenting investigative and documentary films that deal with technologies of statecraft and warfare, settler coloniality and resistance. Responding to the ongoing war in Gaza, this series of films presents work by the multidisciplinary research group, Forensic Architecture and the Palestinian filmmaker Emily Jacir. Both screenings will collect donations for the Australian Palestinian Advocacy Network (APAN).

Part 1 - Forensic Architecture: Investigations
Thursday March 28, 6pm–8pm, 
Black Box, UNSW Art & Design, Paddington (Level 1, D Block)

Curated and co-presented by Dogmilk Films.

Forensic Architecture is a multidisciplinary research group based at Goldsmiths University in London. They use architectural techniques and video technologies to investigate cases of state violence and violations of human rights around the world. The first half of the screening will present two works by Forensic Architecture that examine atmospheric violence (clouds) and oceanic violence (border and forced migration), including a collaborative work with Amel Alzakout. The second half of the screening focuses on investigations related to Gaza and the history of Israeli occupation and oppression. 

This program was curated by Dogmilk in consultation with Forensic Architecture; first presented at Degustations screening series at Miscellania, Naarm. Dogmilk is an independent filmmaking collective dedicated to the promotion and production of alternative and ambitious cinema.

Films include:

‘Cloud Studies’ (2020) 32:59 min
‘Shipwreck at the Threshold of Europe (in collaboration with Amel Alzakout)’ (2015) 23:36 min 
‘Executions and Mass Graves in Tantura, 23 May 1948’ (2023) 17:02 min 
‘The Shelling of Khudair Warehouse: Chemical Warfare by Indirect Means’ (2022) 14:32 min 
‘The Use of White Phosphorous in Urban Environments’ (2012) 06:25 min 
‘Herbicidal Warfare in Gaza’ (2019) 08:50 min 

Part 2 - Emily Jacir: Letter to a Friend (2019)
Thursday April 4, 4pm–5pm, 
Black Box, UNSW Art & Design, Paddington (Level 1, D Block) 

Emily Jacir is an artist, filmmaker and educator who lives and works between Bethlehem and Rome.

In this film, Emily Jacir narrates letters to a friend, Eyal Weizman from Forensic Architecture, about her home and street in Bethlehem. The film essay brings together traces of Palestine from over a century, telling a story of occupation and resistance – past, present and future.

Film:

‘Letter to a Friend’ (2019) 43 min

SYMPOSIUM: Artificial Intelligence and the Future of Screen Industries in the Asia Pacific (Thu 27 Jun - Fri 28 Jun)

Date: Thursday, 27 June to Friday 28 June 2024

Location: The University of New South Wales, Kensington Campus, Australia

Artificial intelligence is evolving at an accelerated pace. Its potentials and risks have generated considerable debate in academia, industry, and broader communities. What kinds of human-machine encounters are emerging? In what ways are design, adoption and use of AI anchored to cultural and ethical values? How does AI impact on creative production, media distribution, and cultural consumption? Who stand to gain, and at what cost? What alternatives are possible? To answer these questions necessarily requires a contextualised view.

With a specific focus on screen industries across television, film and streaming, this symposium seeks to explore the pace, nature and potential consequence of change wrought by AI in various cultural, social, and geopolitical contexts in the Asia Pacific. By foregrounding the regional focus, we hope to open up discussions about local specificities in the region and the various dynamics between the local and the regional or global. To this end, we invite submissions on, but not limited to, the following topics:

- Generative AI and content creation
- Algorithms, content curation and media distribution
- Infrastructural underpinnings and politics
- Changing nature of creative labour and cultural work
- Emerging forms of advertising and approaches to audience measurement
- Changing consumption patterns, audience experience and practices
- Internationalisation, transnational flows, and geopolitics
- Regulation and governance (copyright, content quota, taxes, content moderation, etc.)

We welcome conceptual and empirical approaches as well as methodological reflections.

Organisers:

Elaine Jing Zhao, The University of New South Wales, Australia
Liangwen Kuo, Shanghai Jiao Tong University, China
Changfeng Chen, Tsinghua University, China, President of the Asia-Pacific Communication Alliance

How to Submit:

• Extended Abstracts: 500-1000 words, excluding references (only key references should be included)
• Please submit the abstracts as PDF attachments without author identification to jing.zhao@unsw.edu.au and lwkuo@sjtu.edu.cn, and include your name, title, institutional affiliation, email address, and a short bio (up to 100 words) in the body of the email. Please title your email as “response to CFP: title”.

Submission Due: 24 March, 2024

Acceptance Notification: 31 March, 2024

Transportation: UNSW Kensington Campus is about 20 min drive from Sydney CBD and conveniently served by the Light Rail. It is also well connected to Sydney airport (a gateway airport for ICA and IAMCR 2024).

Enquiries: jing.zhao@unsw.edu.au

WORKSHOP: This Mess We’re In - A Workshop on Scene, Crisis, and Conjecture with Dr Andrew Brooks & A/Prof Michael Richardson (Mon 20 Nov, 1-4pm)

Join us for an in-person workshop at UNSW Kensington Campus.

We live in a time of endemic and rolling crises: plague, war, racialised and gendered violence, economic collapse, ecological catastrophe. Crisis is a common term but what exactly does it mean? When does one crisis end and another begin? Cenes are one conceptual tool for trying to make sense of the mess we’re in and they abound these days: Anthropocene (Crutzen and Boehmer), Capitalocene (Moore), Plantationocene (Tsing), just to name a few. A conjuncture refers to the particular contradiction within the social formation in periods of upheaval and unrest. Conjunctural analysis seeks to distinguish between the structural forces that condition a particular historical moment and the immediate forces that drive transformation. Naming and periodising the era in which we find ourselves has become an urgent task of critical scholarship in no small part because this naming is an act of diagnosis that shapes action in response. 

In this research workshop, we will work together on how we might reckon with cene, crisis, and conjuncture. While we will discuss the meaning(s) and contestation(s) that surround these terms, we’ll also delve into the temporality and texture of this mess we’re in – and the political potential of critical theory for scholarship and activism. Our aim is to explore these terms in order to find ways to put them to use in order to intervene in the crises that confront us.

The workshop will take the form of an hour of short presentations on work-in-progress by Media Futures Hub researchers, followed by a two-hour discussion provoked by the readings and introduced by provocations from Andrew and Michael. The workshop will take place in person, followed by drinks for those who want to stick around.
Registration link here.

WORKSHOP: Beyond benign diversity in media industry and scholarship (Fri 13 Oct, 12:30-3:30pm)

Friday 13 October 2023
12.30 – 3.30pm 
UNSW Kensington campus, Sydney and online
Convenors: Tanja Dreher (UNSW) and Sukhmani Khorana (UNSW)

View the program here

Recent years have seen various and continuing ‘media reckonings’ on racism and diversity, from #oscarssowhite to #IStandWithStan. The resurgence of Black Lives Matter protests across the globe in in 2020 brought renewed attention to media racism in Australia and internationally. Resurgent Sinophobia and anti-Asian racism in the context of the global covid19 pandemic and entrenched and violent Islamophobia highlighted again by the 2019 massacre in Christchurch, Aotearoa/New Zealand, have heightened ‘media diversity debates’ and calls to decolonise media and/or support media anti-racism (Saha, 2020; Titley, 2019). The earlier #Oscarssowhite movement focused on screen media sparked momentum for diversity and inclusion initiatives across media industries. Meanwhile international interventions such as #communicationsowhite have demonstrated that concerns around media, racism and diversity are highly relevant within media and communication studies as well as in media institutions (Chakravarty et al 2018, Ng et al 2020).  

The upsurge in media diversity debates and initiatives in response to these cultural reckonings has also prompted critiques and cautionary notes. Too often, the aim of greater diversity has been premised on the limiting assumption that media and those work in it must ‘reflect’ the demographics of the nation state. The media reckoning prompted by Stan Grant’s resignation from the ABC in 2023 followed decades of diversity initiatives at the public broadcasters. Christine Dunbar-Hester argues; “diversity” is a timid framing. What would change if the conversation was directed towards justice instead? Much is at stake here and “diversity” offers too little’ (2021). These cautions resonate with Sara Ahmed’s highly influential work, On Being Included (2020), focused on diversity work in higher education institutions. Ahmed explores the gap between symbolic commitments to diversity and the experience of diversity workers, arguing that racism can be obscured by the institutionalisation of diversity.  

This workshop aims to generate discussion on strategies, traditions and imaginaries beyond timid versions of diversity and the limitations of parity of representation. Two select suggested readings/listenings will be circulated prior to the workshop for all participants to prepare.  

Media Futures Hub (https://mediafutureshub.org/) is a collection of scholars at UNSW researching justice, media and emerging technologies. We explore topics such as community and First Nations media, drones and autonomous systems, data justice, listening across difference, everyday uses of media technology, and new research methods. Our research is interventionist, innovative and fearless. Our aim is not only to analyse the world around us, but to help build more just futures.  

Media Futures Hub researchers in Social Sciences Week 2021 events

Researchers from the UNSW Media Futures Hub (MFH) feature in a variety of public online events to be held as part of the Social Sciences Week 2021 (SSW2021).

 Media Futures Hub is a collection of scholars in the Faculty of Art, Design & Architecture at UNSW researching justice, media and emerging technologies. Social Sciences Week is a week-long series of events held across Australia each September offering insight into the impact of the social sciences on our lives. It is an initiative of several of Australia’s Social Sciences associations and is coordinated by the Academy of the Social Sciences in Australia.

Details of events featuring Media Futures Hub researchers are below:

Tuesday 7 September

VIRTUAL PANEL The Future of Justice

In this digital event join author/filmmaker, Media Future Hub’s Mary Zournazi, philosopher Michael Sandel and theologian Rowan Williams to explore what concepts like gratitude and grace mean for us as individuals and societies, and how humility and love may serve us in our relationships with each other. Instead of separating secular and theological approaches, what ideas can we bring together to chart a course for the common good and a more just world?

Further details and registration link here: https://www.centreforideas.com/event/the-future-of-justice

Wednesday 8 September

VIRTUAL PANEL Emotion Inequality in Pandemic Australia

This webinar will map the emotional contours and costs of COVID-19, including various forms of suffering and solidarity, as well as the impacts of government efforts to contain the virus. Media Futures Hub Co-Director Michael Richardson will be speaking on surveillance strategies and over policing of the general public in pandemic Australia. Panellists include: Michelle Peterie, Lea Williams Veazey, Barbara Barbosa Neves, Cameron Parsell, Sukhmani Khorana and Gaby Ramia.

Further details and registration link here: https://www.eventbrite.com.au/e/emotion-inequality-in-pandemic-australia-tickets-165377625931

Friday 10 September

VIRTUAL PANEL Critical Race Theory: Transforming Knowledge in the Australian Social Sciences and Humanities

This virtual panel features leading Australian critical race scholars including, Aileen Moreton-Robinson, Debbie Bargallie, Alana Lentin, Andrew Brooks of the Media Futures Hub and Sherene Idriss. Critical Race Theory (CRT) has had high profile media attention in both the US and Australia this year, with Sky News, the Daily Telegraph and the Australian echoing calls from the US to ‘ban’ CRT. The Senate passed a motion to ‘reject’ CRT in the national curriculum. Beyond this moral panic, Australian social science and humanities scholars are yet to fully grapple with how critical race perspectives potentially challenge and transform disciplinary and interdisciplinary knowledges in a settler colonial context.

Further details and registration link here: https://socialsciences.org.au/socialsciencesweek/event/critical-race-theory-transforming-knowledge-in-the-australian-social-sciences-and-humanities/

PODCAST SPECIAL: Ask a Social Scientist - Politics of Listening with Tanja Dreher

In this Social Science Week podcast Media Futures Hub Co-Director Tanja Dreher discusses the recent ‘turn to listening’ in media studies, cultural studies and political theory. Listening is increasingly understood: as a political practice; as a critical frame; as an alternative politics; and as a contribution to justice and/or as an ethics of relation. The discussion focuses on settler responsibilities to listen in the context of First Nations sovereignties. The ‘Ask a Social Scientist’ podcast series is hosted by UNSW’s Siobhan O’Sullivan and features 10 academics from UNSW Arts, Design & Architecture.

Listen here

ONLINE seminar: Photography as Becoming: Dr Tara McLennan, UNSW

Photography as becoming: Networked Memories

Thursday, September 9, 2021, 12:00 - 1:30pm AEST

Registration via Eventbrite

Photography has a legacy as a medium that creates sites of mourning by returning the past as the presence of absence. With this history as a haunting trace, what becomes of the photograph’s temporal signature in the context of a live networked smartphone ecology? Every twenty-four hours just under four-hundred million photographs are uploaded to Facebook and Instagram, accentuating that networkers are “here and now” as a vast repository of data accumulates social media’s everyday records of departed experience. Contemporary scholarship suggests photography’s relationship to memory-making and mourning has been outstripped by networked immediacy and the use of images as fleeting conversational devices. My research posits that photography continually exposes subjects and beholders to their existence within duration, what Henri Bergson envisaged as the co-existence of the past within the present in a becoming that endures. Digital autoethnography and a cultural history of the medium are here brought together to traverse personal and collective photographic encounters across screens, streetscapes and family archives of mourning. The networked medium is reunited with the work of Walter Benjamin and Roland Barthes as I explore affectively wounding images amidst the ephemerality of the online ecology to reimagine photography’s relationship with personal mourning; not as a static embalming of the past but as a generative reminder of the durational forces which constitute each present instant.

A response will be offered by Dr Edgar Gómez Cruz (UNSW) before discussion.

Dr Tara McLennan lectures in media and cultural studies at the University of New South Wales. She adopts creative practices to explore visual culture and a poetics of the past in the context of digital media ecologies. Her work uses media archaeology to query the relationship between images, material media practices, and memory.

IMAGES OF MACHINE LEARNING SYMPOSIUM PAPERS NOW ONLINE

Images of Machine Learning was an online symposium chaired by Prof. Anna Munster and Prof. Adrian MacKenzie and was held on June 30 – July 1, 2021. Bringing together artists, cultural producers, critical AI scholars, and media and STS thinkers, the sessions critically presented processes, sensibilities, techniques and methods for understanding the operations of images in machine learning. The speakers focussed on how images are reconfiguring the political social and aesthetic conditions for visuality produced by machine learning. Collectively, they asked: how might we come to differently parse images of machine learning? 

The keynote addresses and all individual papers are available for viewing and listening on the Media Futures Hub YouTube channel. 

Book Launch: HOMEWORK by Snack Syndicate (3 August, 2021)

Tuesday, 3rd August, 8:00pm (Sydney/Melbourne time) Online

Register via Eventbrite

We would like to invite you to the launch of HOMEWORK by Snack Syndicate.

The book will be launched online by Justin Clemens and Michael Richardson, and will feature a short reading by Snack Syndicate. While we are disappointed not to be able to launch the book in person, please join us to toast it into existence online!

HOMEWORK considers the manifold ways that embodied life (birth, death, love, friendship, solidarity, race, gender, sexuality, citizenship) are conditioned by a world that appears both ruinous and full of potential. Snack Syndicate asks how to read ruins and how to read the prophecy of hope that threads together a long history of survival and struggle. The book offers a guide for this reading, taking study to be a lifelong practice. It suggests a model for homework as the promise we make to each other through study and to the ghosts who carry us forward.

* This event will be hosted via Zoom. Once registering via Eventbrite, you’ll receive a link to join the event.

HOMEWORK is published in an edition of 400 and is available for $18.00 online at www.discipline.net.au.

ONLINE SYMPOSIUM: IMAGES OF MACHINE LEARNING (June 30 & July 1, 2021)

Large image collections – from Sloan Sky Survey through to ImageNet – and their traversals through and by datasets, algorithmic functions and predictive models have become the operative ‘matter’ of contemporary AI. At the same time, machine learning assemblages have come to re-organise seeing itself as comprising processes of feature detection, convolutional accumulation of image/pixel building blocks and latent spaces.  How have artists, cultural producers and critical AI scholars engaged with the ways in which images and machine learning have come to re-configure each other? What might redeployments of image-oriented machine-learning techniques tell us about the less than predictable sensibilities of AI’s visuality? This online symposium gathers artists and producers, media and STS thinkers together to think about and discuss such issues, collectively questioning how we might come to differently parse images of machine learning.

Organised by Anna Munster (University of New South Wales, Sydney, Australia) and Adrian MacKenzie (Australian National University, Canberra Australia) and supported by the Australian Research Council Discovery Project scheme.

Hosted by Media Futures Hub, UNSW.

Program

Wednesday, June 30 2021, 3-6pm AEST

Keynote by Anna Ridler, artist and researcher

Automated Dreaming: Using AI in a Creative Practise

Panel 1: Images and Machine Learning Practices: critical interventions in art and curation

Katrina Sluis, Associate Professor, Head of Photography and Media Arts, Australian National University

Kynan Tan, Independent artist and postdoctoral fellow and, ARCDP, Re-Imaging the Empirical, National Institute for Experimental Arts, University of New South Wales

Monica Monin, Lecturer, University of Technology, Sydney

Thursday, July 1 2021, 3-6:30pm AEST

Keynote by Fabian Offert, Assistant Professor, History and Theory of Digital Humanities, UC Santa Barbara 

Latent Deep Space: GANs between Art and Science

Panel 2: Images, machine learning and practices of knowledge-production

Mitchell Whitelaw, Professor, Design, Australian National University

Maya Indira Ganesh, writer and researcher, Bergruen Institute Fellow, Leuphana University, Lüneburg

Gabriel Pereira, School of Communication and Culture, Aarhus University

Free registration: https://www.eventbrite.com.au/e/images-of-machine-learning-online-symposium-tickets-156848266387

Website: https://imagesofml.ai/

CAMRA 2021: Community and Alternative Media Research in Australia

CAMRA 2021 online workshop
Friday 26 February 2021 9.30am – 5pm (AEDT) 

Registrations are now open for the online workshop CAMRA 2021: a snapshot of community and alternative media research in Australia 

This online workshop will showcase, connect and encourage research on community and alternative media in Australia 

Topics include: the emotional labour of minorities in community media; Indigenous Storywork; community media and the politics of listening; climate change communication; radical advocacy journalism; community media destinations; refugee media; community development in the Pacific; local significance in community radio; music and community radio and more.  

Presenters include: Heather Anderson (Griffith), Charlotte Bedford (Adelaide), John Budarick (Adelaide), Tanja Dreher (UNSW), Kerrie Foxwell-Norton, Anne Leitch, Bridget Backhaus (Griffith), Nicola Joseph (UNSW), Diana Kreemers (UNSW), Rochelle Lade (Swinburne), Michelle O’Connor (CSU), Poppy de Souza (UNSW), Christina Spurgeon (QUT), John Tebbutt (RMIT), Verena Thomas (QUT), and more to be confirmed.  

A full, detailed Program will be available shortly 

To register for CAMRA2021, please click here:  CAMRA 2021: a snapshot of community and alternative media research in Australia, Hosted online, 26th of February | Humanitix 

Community and Alternative Media Research Australia (CAMRA) is an informal network of researchers and practitioners working in academia and in media, with a focus on research, advocacy and activism for community and alternative media in Australia.  

For further information on CAMRA, or to join the low volume email list, please email: CAMRA2021@groups.griffith.edu.au  

CAMRA 2021 is convened by Tanja Dreher (Media Futures Hub, UNSW), Heather Anderson and Bridget Backhaus (Griffith Centre for Social and Cultural Research, Griffith University)  

DRONE CULTURES SYMPOSIUM, 8-10 DECEMBER 2020

This three-day symposium brings together academics, artists and researchers to explore drone cultures from multiple perspectives and practices with the aim of generating dialogue across disciplinary boundaries to better understand the diversity of drones and drone cultures. How has drone vision influenced contemporary visual culture? How do practices, aesthetics, techniques and technologies move back and forth between military and non-military contexts? How have artists, writers and filmmakers critiqued, adopted and innovated drone technologies? How have drones changed how power is exercised and experienced? What cultures have sprung up around drones in conservation, activism, amateur photography and other contexts? How are drones and other remote sensing systems shaping and shaped by our desires and imaginaries? What does the proliferation of drones mean for the future of the human?

KEYNOTE: Caren Kaplan, UC Davis

PLENARY: Alex Edney-Browne, Melbourne

ARTISTS & ACADEMICS: Christine Agius (Swinburne), Michele Barker (UNSW), David Beesley (RMIT), Olga Boichak (USyd), Kathryn Brimblecombe-Fox (Curtin), David Chesworth (RMIT), Sarah Eleazar (UT Austin), Adam Fish (UNSW), Jack Faber (Uniarts Helsinki), Edgar Gómez Cruz (UNSW), Jennifer Smith-Mayo (Maine), Mitch Goodwin (Melbourne), Kathrin Maurer (Southern Denmark), Anna Munster (UNSW), Tom Sear (UNSW Canberra), Kate Richards (WSU), James Rogers (Southern Denmark), Simon M. Taylor (UNSW), Yanai Toister (Tel Aviv), Madelene Veber (UNSW), Vaughan Wozniak-O'Connor (UNSW), Anne Wilson (Deakin), Andrew Yip (Coventry)

REGISTER via Eventbrite

PROGRAM AND OTHER INFO at the Drone Cultures website.

DRONE FUTURES #6: MAHWISH CHISHTY, 26 NOVEMBER 2020

A virtual public seminar on “Cultural Aesthetics + Borders” with artist Mahwish Chishty.

Mahwish Chishty’s artistic research combines her interest in Pakistani traditional folk art/culture and contemporary politics as it relates to US/Pakistan relations. This talk will cover the inspiration and motivation behind the projects that Chishy has been working on since 2011, including: Drone Art series, Wagah Border, Basant: Let’s Go Fly a Kite and Danyore. Chishty will share paintings, installations and collaborative projects as part of this discussion.

Mahwish Chishty is a multimedia artist who initially trained as a miniature painter in Pakistan. Her work combines traditional artistic practice with her interest in contemporary politics, particularly the relationship between the US and Pakistan. In 2017, Chishty was awarded a Guggenheim Fellowship, and in the same year she held a solo exhibition of her drone art at the Imperial War Museum, London. Her 2018 installation, Naming the Dead, was shortlisted for the ArtPrize. She is currently Professor of Art at the University of Massachusetts, Amherst.

Image: X-47B (2012)

When: Thursday November 26, 10 - 11.30am (AEDT)

Where: YouTube Live

REGISTER HERE

DRONE FUTURES #5: THOMAS STUBBLEFIELD, 4 November 2020

A virtual public seminar on “The Ornithology of Drone Art” with Thomas Stubblefield (UMass Dartmouth).

As a result of the historical reliance of war upon the animal body, modern military technologies such as the drone are haunted by a lingering zoological presence. Of the nonhuman animals that occupy the modern drone perhaps none are as influential as birds. Not only do these creatures offer a means of materializing an enduring connection between flight and surveillance that had occupied the imaginary for centuries, but so too do they introduce an aerial proxy by which a thoroughly modern asymmetry of warfare would come into being. This presentation will discuss the ways in which the video Seagulls (2013) and the #NotABugSplat installation (2014) engage this residual animal presence in order to both excavate alternate histories of the drone and reimagine its practices of targeting.

Thomas Stubblefield is Associate Professor of Contemporary Art History and Media Studies and Interim Associate Dean of the College of Visual and Performing Arts at the University of Massachusetts, Dartmouth. In 2015, his book, 9/11 and the Visual Culture of Disaster (Indiana University Press), was awarded the Rollins Prize. His most recent book, Drone Art: The Everywhere War as Medium (2020), was published by the University of California Press. His essay: “Towards a History of the Medial Regime: Force and the Post-Industrial Female Body” appeared in the Winter 2020 issue of Cultural Critique (University of Minnesota Press).

When: Wednesday November 4, 10 - 11.30am (AEDT)

Where: YouTube Live

REGISTER HERE

MEDIA, RACE, VIOLENCE #4: AFTERLIVES, GHOSTS, HAUNTINGS

The Media, Race, Violence Reading Group traces the relationships between media, technology, race, and violence with the aim of understanding the role media plays both in the encoding of inequality and in resisting it. The group will engage with work from the fields of media studies, critical race theory, Indigenous studies, anti- and de-colonial theory, Black studies, cultural studies, and more.

#4: Afterlives, Ghosts, Hauntings

When: Friday November 13, 9-10:30am (and recurring the second Friday of every month)

Where: Zoom

The readings for this session consider the afterlives of slavery and colonisation, tracking the way that the histories of racial ascription continue to haunt the present. The sociologist Avery Gordon described the concept of haunting as ‘one way in which abusive systems of power make themselves known and their impacts felt in everyday life, especially when they are supposedly over and done with (slavery, for instance) or when their oppressive nature is denied (as in free labor or national security).’ This session will focus on the temporalities of racialising practices and the ways in which unresolved or repressed social violence (such as racism, sexism, homophobia, transphobia) repeatedly and cyclically makes itself known. The readings consider how the afterlives of race are mediated and how the reproduction of racial regimes might be interrupted.

Tuck and Ree offer a glossary of terms related to the violence of colonialism and the various trauma it produces; the Karrabing Film Collective offer as a dystopian vision of the near future that considers the history of the forced removal of Aboriginal children and shows us how the past is bound up with the present; Ruha Benjamin considers the afterlives of slavery in relation to caraceral systems in the US and posits kinship as a way of intervening in the reproducing of racial injustice; and Legacy Russell develops the glitch and the void as generative figures for moving beyond the body defined by structures of domination such as the gender binary and race. Further readings provide additional context for thinking through the climate of anti-Blackness and further developing the concept of haunting.

 Themes/Objects: archives, racial legacies, afterlives of slavery and colonisation, temporality, reproduction, affective climates, incarceration, hauntings, glitches, agency

Readings for Discussion:

• Eve Tuck and C. Ree, ‘A Glossary of Haunting’, in Handbook of Autoethnography, eds. Stacy Holman Jones, Tony E. Adams, Carolyn Ellis (Routledge, 2013), pp. 639-658

• Karrabing Film Collective (film), The Mermaids, or Aiden In Wonderland (2018)

• Ruha Benjamin, ‘Black AfterLives Matter’, Boston Review, July 2018

• Legacy Russell, Chapter 4: ‘Glitch Ghosts’ and Chapter 6: ‘Glitch Encrypts’, from Glitch Feminism: A Manifesto (Verso, 2020)

Further Reading:

• Christina Sharpe, ‘The Weather’, The New Inquiry, July 2017

• Avery Gordon, ‘her shape and his hand’, from Ghostly Matters: Haunting and the Sociological Imagination (University of Minnesota Press, 2008): pp. 3-30

To join the mailing list for the reading group and receive access to copies of the texts, please contact Andrew Brooks directly.