Media and Social Justice

The Crisis of Diversity: Professor Anamik Saha, University of Leeds (Tues 8 Oct, 2pm-3:00pm)

Tuesday 8 October 2024
2:00-3:00pm (AEST)
Morvern Brown 310

The seminar by Anamik Saha will be followed by an informal workshop at 3:30-5pm. For further details please email: t.dreher@unsw.edu.au.

Despite the superdiversity we now encounter on our screens, issues of diversity in media industries and society at large, remain vexed. While previously a soft, somewhat inoffensive term, ‘diversity’ has hardened into something politically controversial - along with its siblings, ‘equality’ and ‘inclusion’. Diversity is attacked by the Left for its ineffectiveness in dealing with racial inequalities, burying the more assertive language of racism and discrimination demanded by anti-racist activists. It is also attacked by the Right for, at ‘best’, its threat to meritocracy, and at worst, its purported demonisation of White people.  

Once at the bedrock of creative industries policy, diversity was seen as the source of originality and innovation and economic growth. Undeniably this has had a profound impact on the media we consume. Yet this has not been mirrored in the creative workforce, where diversity policies have failed to increase the number of people from marginalised backgrounds within its ranks. Compounded by economic and political pressures, these failing initiatives have fallen by the wayside, as big brands bin diversity targets due to political pressure, or quietly drop EDI efforts as they contend with ‘bigger’ financial issues. Worst of all, the crisis of diversity just so happens to be unfolding alongside the violent ascendency of the far-right in liberal democracies. 

But while this suggests that diversity is done, in this paper I take a wider view and examine the crisis in diversity in media in conjunctural terms. I consider how cultural and creative industries are (or, are not) contending with the biggest crisis right now: the rise of the far-right. Rather than ineffectual against the far-right, could it be the case that diversity has put the brakes somewhat on its advance? The paper imagines how media can proactively challenge racism in society, and how a radical reimagining of diversity can contribute to this urgent task. 

Anamik Saha is a Professor in Race and Media in the School of Media and Communication at the University of Leeds. His research is on issues of race, culture and media, with a particular focus on creative and cultural industries and issues of ‘diversity’. He is the author of Race and the Cultural Industries (Polity, 2018), Race, Culture and Media (Sage, 2021) and the co-author of the AHRC-funded industry report Rethinking ‘Diversity’ in Publishing (with Dr Sandra van Lente, Goldsmiths Press, 2020). His research has featured across a range of media, including BBC Radio, The Guardian, TES and The New Statesman.  He was included in the TheBookseller’s 2020 list of most influential people in the book trade. He is an editor of European Journal of Cultural Studies. His new book The Anti-Racist Media Manifesto- written with Francesca Sobande and Gavan Titley - is out in Autumn 2024. 

This talk is hosted by the UNSW Media Futures Hub.

Register here.

SYMPOSIUM: Beyond Media Diversity: Media Practice and Media Studies in the Age of #BlackLivesMatter  (Thu 27 Jun, 9am-6pm)

Date and time - 27 June 2024 | 09h00 - 17h00  
Location - University of New South Wales, Kensington Campus, Sydney, Australia  
An IAMCR pre-conference and ‘bridge’ event between ICA 2024 and IAMCR 2024 
https://iamcr.org/christchurch2024/beyond-media-diversity-conf  
Organisers - A/Prof Tanja Dreher, University of New South Wales and A/Prof Sukhmani Khorana,
University of New South Wales   

View the program here

SPEAKERS: This full day symposium will feature presentations and provocations by invited speakers, including: Tito Ambyo (RMIT), A/Prof Debbie Bargallie (Griffith), Prof Mohan Dutta (Massey, online), Prof Gerard Goggin (WSU), Dr Ashleigh Haw (RMIT), A/Prof Eve Ng (Ohio, online), Prof Sandy O’Sullivan (Macquarie), Prof Anamik Saha (Leeds, online), Dr Victor Zhuang (Nanyang).   

Recent years have seen various and continuing ‘media reckonings’ on racism and diversity. The resurgence of #BlackLivesMatter protests across the globe in 2020 brought renewed attention to media racism in Australia and across the Global North. In the midst of the unprecedented violence in Gaza in 2024, concerns around mainstream media racism and cultural safety for those reporting, advocating or speaking out have only amplified manifold. Given the current conjuncture, this symposium aims to move beyond timid framings of diversity that have not worked for media practitioners or scholars, and therefore calls for ‘divesting from diversity’.

Prior to this, resurgent Sinophobia and anti-Asian racism in the context of the global COVID-19 pandemic and entrenched and violent Islamophobia highlighted by the 2019 massacre in Christchurch, Aotearoa/New Zealand, also heightened ‘media diversity debates’ and calls to decolonise media and/or support media anti-racism (Saha, 2020; Titley, 2019). Meanwhile ongoing international interventions in media scholarship such as #communicationsowhite have demonstrated that concerns around media, racism and diversity are highly relevant within media and communication studies as well as in media institutions (Chakravarty et al 2018, Ng et al 2020).

Despite the upsurge in media diversity debates and initiatives in response to these cultural reckonings, the aim of greater diversity has been premised on limiting assumptions. One of the most oft-used ones is that media and those who work in it must ‘reflect’ the demographics of the changing nation state. The media reckoning prompted by Indigenous media presenter Stan Grant’s resignation from the Australian Broadcasting Corporation in 2023 followed decades of diversity initiatives at the public broadcasters. As Christine Dunbar-Hester argues, ‘“diversity” is a timid framing. What would change if the conversation was directed towards justice instead? Much is at stake here and “diversity” offers too little’ (2021).

This pre-conference event takes a transnational approach to framing diversity debates in the media, how these are limiting (and limited), and what decolonial and anti-colonial alternatives could look like. How might we divest from the diversity paradigm, and what might take its place? Where are alternatives to be found, and/or how might they be built? Who is doing the work and what solidarities might be needed? The event thus speaks directly to the IAMCR2024 General theme: ‘Whiria te tāngata / Weaving people together: Communicative projects of decolonising, engaging, and listening’.

Location: The preconference will be held at the Kensington campus of the University of New South Wales (UNSW) in Sydney, Australia. The Kensington campus is well connected to Sydney Central station (15 mins by Light Rail) and to Sydney airport (a gateway airport for IAMCR 2024 and ICA 2024). There are many affordable accommodation options nearby.   

Media Futures Hub (https://mediafutureshub.org/) is a collection of scholars at UNSW researching justice, media and emerging technologies. We explore topics such as community and First Nations media, drones and autonomous systems, data justice, listening across difference, everyday uses of media technology, and new research methods. Our research is interventionist, innovative and fearless. Our aim is not only to analyse the world around us, but to help build more just futures.  

Tanja Dreher is Associate Professor in Media and a Co-Director of the Media Futures Hub at the University of New South Wales, Sydney, Australia.  Sukhmani Khorana is a Scientia Associate Professor in the Faculty of Arts, Design and Architecture, School of the Arts and Media.  

 

WORKSHOP: This Mess We’re In - A Workshop on Scene, Crisis, and Conjecture with Dr Andrew Brooks & A/Prof Michael Richardson (Mon 20 Nov, 1-4pm)

Join us for an in-person workshop at UNSW Kensington Campus.

We live in a time of endemic and rolling crises: plague, war, racialised and gendered violence, economic collapse, ecological catastrophe. Crisis is a common term but what exactly does it mean? When does one crisis end and another begin? Cenes are one conceptual tool for trying to make sense of the mess we’re in and they abound these days: Anthropocene (Crutzen and Boehmer), Capitalocene (Moore), Plantationocene (Tsing), just to name a few. A conjuncture refers to the particular contradiction within the social formation in periods of upheaval and unrest. Conjunctural analysis seeks to distinguish between the structural forces that condition a particular historical moment and the immediate forces that drive transformation. Naming and periodising the era in which we find ourselves has become an urgent task of critical scholarship in no small part because this naming is an act of diagnosis that shapes action in response. 

In this research workshop, we will work together on how we might reckon with cene, crisis, and conjuncture. While we will discuss the meaning(s) and contestation(s) that surround these terms, we’ll also delve into the temporality and texture of this mess we’re in – and the political potential of critical theory for scholarship and activism. Our aim is to explore these terms in order to find ways to put them to use in order to intervene in the crises that confront us.

The workshop will take the form of an hour of short presentations on work-in-progress by Media Futures Hub researchers, followed by a two-hour discussion provoked by the readings and introduced by provocations from Andrew and Michael. The workshop will take place in person, followed by drinks for those who want to stick around.
Registration link here.

WORKSHOP: Beyond benign diversity in media industry and scholarship (Fri 13 Oct, 12:30-3:30pm)

Friday 13 October 2023
12.30 – 3.30pm 
UNSW Kensington campus, Sydney and online
Convenors: Tanja Dreher (UNSW) and Sukhmani Khorana (UNSW)

View the program here

Recent years have seen various and continuing ‘media reckonings’ on racism and diversity, from #oscarssowhite to #IStandWithStan. The resurgence of Black Lives Matter protests across the globe in in 2020 brought renewed attention to media racism in Australia and internationally. Resurgent Sinophobia and anti-Asian racism in the context of the global covid19 pandemic and entrenched and violent Islamophobia highlighted again by the 2019 massacre in Christchurch, Aotearoa/New Zealand, have heightened ‘media diversity debates’ and calls to decolonise media and/or support media anti-racism (Saha, 2020; Titley, 2019). The earlier #Oscarssowhite movement focused on screen media sparked momentum for diversity and inclusion initiatives across media industries. Meanwhile international interventions such as #communicationsowhite have demonstrated that concerns around media, racism and diversity are highly relevant within media and communication studies as well as in media institutions (Chakravarty et al 2018, Ng et al 2020).  

The upsurge in media diversity debates and initiatives in response to these cultural reckonings has also prompted critiques and cautionary notes. Too often, the aim of greater diversity has been premised on the limiting assumption that media and those work in it must ‘reflect’ the demographics of the nation state. The media reckoning prompted by Stan Grant’s resignation from the ABC in 2023 followed decades of diversity initiatives at the public broadcasters. Christine Dunbar-Hester argues; “diversity” is a timid framing. What would change if the conversation was directed towards justice instead? Much is at stake here and “diversity” offers too little’ (2021). These cautions resonate with Sara Ahmed’s highly influential work, On Being Included (2020), focused on diversity work in higher education institutions. Ahmed explores the gap between symbolic commitments to diversity and the experience of diversity workers, arguing that racism can be obscured by the institutionalisation of diversity.  

This workshop aims to generate discussion on strategies, traditions and imaginaries beyond timid versions of diversity and the limitations of parity of representation. Two select suggested readings/listenings will be circulated prior to the workshop for all participants to prepare.  

Media Futures Hub (https://mediafutureshub.org/) is a collection of scholars at UNSW researching justice, media and emerging technologies. We explore topics such as community and First Nations media, drones and autonomous systems, data justice, listening across difference, everyday uses of media technology, and new research methods. Our research is interventionist, innovative and fearless. Our aim is not only to analyse the world around us, but to help build more just futures.  

CAMRA 2021: Community and Alternative Media Research in Australia

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CAMRA 2021 online workshop
Friday 26 February 2021 9.30am – 5pm (AEDT) 

Registrations are now open for the online workshop CAMRA 2021: a snapshot of community and alternative media research in Australia 

This online workshop will showcase, connect and encourage research on community and alternative media in Australia 

Topics include: the emotional labour of minorities in community media; Indigenous Storywork; community media and the politics of listening; climate change communication; radical advocacy journalism; community media destinations; refugee media; community development in the Pacific; local significance in community radio; music and community radio and more.  

Presenters include: Heather Anderson (Griffith), Charlotte Bedford (Adelaide), John Budarick (Adelaide), Tanja Dreher (UNSW), Kerrie Foxwell-Norton, Anne Leitch, Bridget Backhaus (Griffith), Nicola Joseph (UNSW), Diana Kreemers (UNSW), Rochelle Lade (Swinburne), Michelle O’Connor (CSU), Poppy de Souza (UNSW), Christina Spurgeon (QUT), John Tebbutt (RMIT), Verena Thomas (QUT), and more to be confirmed.  

A full, detailed Program will be available shortly 

To register for CAMRA2021, please click here:  CAMRA 2021: a snapshot of community and alternative media research in Australia, Hosted online, 26th of February | Humanitix 

Community and Alternative Media Research Australia (CAMRA) is an informal network of researchers and practitioners working in academia and in media, with a focus on research, advocacy and activism for community and alternative media in Australia.  

For further information on CAMRA, or to join the low volume email list, please email: CAMRA2021@groups.griffith.edu.au  

CAMRA 2021 is convened by Tanja Dreher (Media Futures Hub, UNSW), Heather Anderson and Bridget Backhaus (Griffith Centre for Social and Cultural Research, Griffith University)  

DRONE CULTURES SYMPOSIUM, 8-10 DECEMBER 2020

This three-day symposium brings together academics, artists and researchers to explore drone cultures from multiple perspectives and practices with the aim of generating dialogue across disciplinary boundaries to better understand the diversity of drones and drone cultures. How has drone vision influenced contemporary visual culture? How do practices, aesthetics, techniques and technologies move back and forth between military and non-military contexts? How have artists, writers and filmmakers critiqued, adopted and innovated drone technologies? How have drones changed how power is exercised and experienced? What cultures have sprung up around drones in conservation, activism, amateur photography and other contexts? How are drones and other remote sensing systems shaping and shaped by our desires and imaginaries? What does the proliferation of drones mean for the future of the human?

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KEYNOTE: Caren Kaplan, UC Davis

PLENARY: Alex Edney-Browne, Melbourne

ARTISTS & ACADEMICS: Christine Agius (Swinburne), Michele Barker (UNSW), David Beesley (RMIT), Olga Boichak (USyd), Kathryn Brimblecombe-Fox (Curtin), David Chesworth (RMIT), Sarah Eleazar (UT Austin), Adam Fish (UNSW), Jack Faber (Uniarts Helsinki), Edgar Gómez Cruz (UNSW), Jennifer Smith-Mayo (Maine), Mitch Goodwin (Melbourne), Kathrin Maurer (Southern Denmark), Anna Munster (UNSW), Tom Sear (UNSW Canberra), Kate Richards (WSU), James Rogers (Southern Denmark), Simon M. Taylor (UNSW), Yanai Toister (Tel Aviv), Madelene Veber (UNSW), Vaughan Wozniak-O'Connor (UNSW), Anne Wilson (Deakin), Andrew Yip (Coventry)

REGISTER via Eventbrite

PROGRAM AND OTHER INFO at the Drone Cultures website.

DRONE FUTURES #6: MAHWISH CHISHTY, 26 NOVEMBER 2020

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A virtual public seminar on “Cultural Aesthetics + Borders” with artist Mahwish Chishty.

Mahwish Chishty’s artistic research combines her interest in Pakistani traditional folk art/culture and contemporary politics as it relates to US/Pakistan relations. This talk will cover the inspiration and motivation behind the projects that Chishy has been working on since 2011, including: Drone Art series, Wagah Border, Basant: Let’s Go Fly a Kite and Danyore. Chishty will share paintings, installations and collaborative projects as part of this discussion.

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Mahwish Chishty is a multimedia artist who initially trained as a miniature painter in Pakistan. Her work combines traditional artistic practice with her interest in contemporary politics, particularly the relationship between the US and Pakistan. In 2017, Chishty was awarded a Guggenheim Fellowship, and in the same year she held a solo exhibition of her drone art at the Imperial War Museum, London. Her 2018 installation, Naming the Dead, was shortlisted for the ArtPrize. She is currently Professor of Art at the University of Massachusetts, Amherst.

Image: X-47B (2012)

When: Thursday November 26, 10 - 11.30am (AEDT)

Where: YouTube Live

REGISTER HERE

DRONE FUTURES #5: THOMAS STUBBLEFIELD, 4 November 2020

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A virtual public seminar on “The Ornithology of Drone Art” with Thomas Stubblefield (UMass Dartmouth).

As a result of the historical reliance of war upon the animal body, modern military technologies such as the drone are haunted by a lingering zoological presence. Of the nonhuman animals that occupy the modern drone perhaps none are as influential as birds. Not only do these creatures offer a means of materializing an enduring connection between flight and surveillance that had occupied the imaginary for centuries, but so too do they introduce an aerial proxy by which a thoroughly modern asymmetry of warfare would come into being. This presentation will discuss the ways in which the video Seagulls (2013) and the #NotABugSplat installation (2014) engage this residual animal presence in order to both excavate alternate histories of the drone and reimagine its practices of targeting.

Thomas Stubblefield is Associate Professor of Contemporary Art History and Media Studies and Interim Associate Dean of the College of Visual and Performing Arts at the University of Massachusetts, Dartmouth. In 2015, his book, 9/11 and the Visual Culture of Disaster (Indiana University Press), was awarded the Rollins Prize. His most recent book, Drone Art: The Everywhere War as Medium (2020), was published by the University of California Press. His essay: “Towards a History of the Medial Regime: Force and the Post-Industrial Female Body” appeared in the Winter 2020 issue of Cultural Critique (University of Minnesota Press).

When: Wednesday November 4, 10 - 11.30am (AEDT)

Where: YouTube Live

REGISTER HERE

MEDIA, RACE, VIOLENCE #4: AFTERLIVES, GHOSTS, HAUNTINGS

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The Media, Race, Violence Reading Group traces the relationships between media, technology, race, and violence with the aim of understanding the role media plays both in the encoding of inequality and in resisting it. The group will engage with work from the fields of media studies, critical race theory, Indigenous studies, anti- and de-colonial theory, Black studies, cultural studies, and more.

#4: Afterlives, Ghosts, Hauntings

When: Friday November 13, 9-10:30am (and recurring the second Friday of every month)

Where: Zoom

The readings for this session consider the afterlives of slavery and colonisation, tracking the way that the histories of racial ascription continue to haunt the present. The sociologist Avery Gordon described the concept of haunting as ‘one way in which abusive systems of power make themselves known and their impacts felt in everyday life, especially when they are supposedly over and done with (slavery, for instance) or when their oppressive nature is denied (as in free labor or national security).’ This session will focus on the temporalities of racialising practices and the ways in which unresolved or repressed social violence (such as racism, sexism, homophobia, transphobia) repeatedly and cyclically makes itself known. The readings consider how the afterlives of race are mediated and how the reproduction of racial regimes might be interrupted.

Tuck and Ree offer a glossary of terms related to the violence of colonialism and the various trauma it produces; the Karrabing Film Collective offer as a dystopian vision of the near future that considers the history of the forced removal of Aboriginal children and shows us how the past is bound up with the present; Ruha Benjamin considers the afterlives of slavery in relation to caraceral systems in the US and posits kinship as a way of intervening in the reproducing of racial injustice; and Legacy Russell develops the glitch and the void as generative figures for moving beyond the body defined by structures of domination such as the gender binary and race. Further readings provide additional context for thinking through the climate of anti-Blackness and further developing the concept of haunting.

 Themes/Objects: archives, racial legacies, afterlives of slavery and colonisation, temporality, reproduction, affective climates, incarceration, hauntings, glitches, agency

Readings for Discussion:

  • Eve Tuck and C. Ree, ‘A Glossary of Haunting’, in Handbook of Autoethnography, eds. Stacy Holman Jones, Tony E. Adams, Carolyn Ellis (Routledge, 2013), pp. 639-658

  • Karrabing Film Collective (film), The Mermaids, or Aiden In Wonderland (2018)

  • Ruha Benjamin, ‘Black AfterLives Matter’, Boston Review, July 2018

  • Legacy Russell, Chapter 4: ‘Glitch Ghosts’ and Chapter 6: ‘Glitch Encrypts’, from Glitch Feminism: A Manifesto (Verso, 2020)

Further Reading:

  • Christina Sharpe, ‘The Weather’, The New Inquiry, July 2017

  • Avery Gordon, ‘her shape and his hand’, from Ghostly Matters: Haunting and the Sociological Imagination (University of Minnesota Press, 2008): pp. 3-30

To join the mailing list for the reading group and receive access to copies of the texts, please contact Andrew Brooks directly.

READING GROUP: MEDIA, RACE, VIOLENCE

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The Media, Race, Violence reading group meets monthly to investigates theories, methods, and practices in order to build more just futures. 

The reading group traces the relationships between media, technology, race, and violence with the aim of understanding the role media plays both in the encoding of inequality and in resisting it. 

All are welcome to join.

Contact Andrew Brooks at a.brooks@unsw.edu.au to get on the mailing list.