PUBLICATIONS

Fish, A. (2020). Crash Theory: Entrapments of Conservation Drones and Endangered Megafauna. 

Science, Technology, & Human Values. https://doi.org/10.1177/0162243920920356

Crashing drones and endangered species linked by entropy.

Fish, A. (2020). Seacultures: Sensing and Making Sense of Oceans with Drones in Australia, Journal of Environmental Media.

Drones collect ocean data, but don't contribute to conservation–why?

Fish, A. (forthcoming). Interview with Vanessa Pirotta, in Stories of Digital Radical, Center on Digital Culture and Society (CDCS), Annenberg School for Communication, University of Pennsylvania, forthcoming.

Fish, A. (forthcoming). Interview with Irendra Radjawali, in Stories of Digital Radical, Center on Digital Culture and Society (CDCS), Annenberg School for Communication, University of Pennsylvania, forthcoming.

Follis, L., & Fish, A. (2020a). Hacker states. MIT Press.

Negative consequences for democracy when states hack.

Follis, L., & Fish, A. (2020b). State hacking at the edge of code, capitalism and culture. Information, Communication & Society, 1–16. https://doi.org/10.1080/1369118X.2020.1776368

States incorporate hackers into their arsenal.

Von Bargen, J., & Fish, A. (2020). Technoliberalism in Iceland: The Fog of Information Infrastructure. 

Canadian Journal of Communication, 45(1). https://doi.org/10.22230/cjc.2020v45n1a3463

No "Switzerland of bits" in Iceland.

Brooks, A. (2020). Fugitive Listening: Sounds from the Undercommons. Theory, Culture & Society. 

https://doi.org/10.1177/0263276420911962

A paper published in Theory, Culture, and Society that develops the notion of fugitive listening as part of a critique of the idealised voice of the self-possessed liberal subject.  

Brooks, A. (2020). Myth-making in the Settler Colony: On Laziness, Representation and Refusal. In Attwood D., and Russell F. (eds.). Art of Laziness: Contemporary Art and Anti-Work Politics. Melbourne: Art + Australia. 

A book chapter that interrogates the settler-colonial ‘myth of the lazy native’, tracking its historical and philosophical implications and the ways that it continues to circumscribe non-Indigenous representations of Indigeneity. 

Brooks A. (2020). 'Wayward Revolutions’. Sydney: The Sydney Review of Books. 

A review essay of Saidiya Hartman’s ‘Wayward Lives, Beautiful Experiments’ that considers the relationship between anti-Black racism and Black resistance in the settler-colonial contexts of the US and Australia. 

Brooks, A., & Lorange, A. (Forthcoming, 2020). Homework. Melbourne: Discipline.

Homework is a book-length collection of essays, poems, and occasional texts produced by the critical art collective Snack Syndicate (Andrew Brooks and Astrid Lorange) over the last five years. It will be published by Discipline in late 2020. 

Brooks, A., and Lorange, A. (2020). Endless Study, Infinite Debt: Protocols for listening in (and after) social isolation. Online: Liquid Architecture. 

Protocols for listening in (and after) social isolation is an iteration of Endless Study, Infinite Debt, an ongoing collaborative art project that investigates how we research and share knowledge. Commissioned by Liquid Architecture, this iteration of the project responds to the sudden onset of the COVID-19 pandemic and asks how collective study is possible in a moment of isolation, physical distance, and increased surveillance.

Taylor, S.M., & De Leeuw, M. (forthcoming, 2020). Guidance systems: from autonomous directives to legal sensor-bilities. A.I. & Society, (forthcoming). DOI :10.1007/s00146-020-01012-z.